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dc.contributor.authorFikse, Per
dc.contributor.authorLarsen, Endre Eidsaa
dc.date.accessioned2023-06-22T11:52:53Z
dc.date.available2023-06-22T11:52:53Z
dc.date.created2017-06-14T14:35:32Z
dc.date.issued2017
dc.identifier.citationShort Film Studies. 2017, 7 (2), 161-164.en_US
dc.identifier.issn2042-7824
dc.identifier.urihttps://hdl.handle.net/11250/3072672
dc.description.abstractBy guiding our attention to the emotional responses of a little girl and her darkly lit surroundings, Jude’s film explores human existence in the face of death. Informed by existential philosophy in the vein of Heidegger, this article investigates the difference between fear of death and fear of the dead.en_US
dc.language.isoengen_US
dc.titleThe girl and the ghosten_US
dc.typePeer revieweden_US
dc.typeJournal articleen_US
dc.description.versionsubmittedVersionen_US
dc.source.pagenumber161-164en_US
dc.source.volume7en_US
dc.source.journalShort Film Studiesen_US
dc.source.issue2en_US
dc.identifier.doi10.1386/sfs.7.2.161_1
dc.identifier.cristin1476106
cristin.unitcode223,16,0,0
cristin.unitnameAvdeling for mediefag
cristin.ispublishedtrue
cristin.fulltextpreprint
cristin.qualitycode1


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